Sonor SQ1
- 100% Birch
- Rack Tom – 10″ x 7″
- Floor Tom – 14″ x 13″ Floor Tom
- Floor Tom -16″ x 15″ Floor Tom
- Kick – 20″ x 16″ Kick Drum
A first choice for snare and toms, the G2 coated is the Honda Civic of drumheads. Consistent, durable, and reliable.
Similar to the Clear G2, the EC2 G2 offers a slightly shorter decay, and a modern slap on toms.
The ideal choice for a controlled, balanced snare sound. Removes overtones, and offers a thick, reliable snare sound. Well suited for pop, rock, and hip-hop.
The most reliable and versatile kick head on the market. Modern and beefy, with extreme attack. Used on both the Kick Drum and the Floor Tom.
The AKG C414 is a staple in Adam’s studio. Whether used on snare, toms, hats, or overheads, the C414 provides stunning clarity and presence.
This slick condenser mic provides a crisp, sharp sound for higher frequency sound sources. An ideal choice for hats, snare bottom, and overheads.
A beefy classic, loved by engineers worldwide; often a first choice for toms. With a phenomenal mid-low range response, this mic brings a thick sound to any size tom.
The go-to tom mic. The e604 provides a consistent recording on any size tom. Present, slappy, with the perfect amount of highmids for a balanced, modern tom sound.
A well rounded snare mic, built as tough as they come. Reliable, balanced, and durable.
The only kick drum mic you’ll ever need. The D6 offers a snappy but natural response, with as much low end as your speakers can handle.
This quad-driver model from Clear Tune Monitors delivers pristine frequencies with astonishing sound isolation and build quality.
A first choice for snare and toms, the G2 coated is the Honda Civic of drumheads. Consistent, durable, and reliable.
Similar to the Clear G2, the EC2 G2 offers a slightly shorter decay, and a modern slap on toms.
Similar to the G2 Coated, this head offers a slightly drier snare sound, and helps to control overtones.
The most reliable and versatile kick head on the market. Modern and beefy, with extreme attack and clarity. Find this head on Adam’s 16″ floor tom and kick drum.
This cardioid condenser is ideal for close micing toms and snare. The gooseneck allows for easy mounting and placement.
This versatile cardioid condenser mic can be found on Adam’s hi hats, and snare bottom. Ideal for instruments with higher frequency ranges.
This low sensitivity condenser mic is used on the batter side of Adam’s kick drum. The SR20LS can handle 150db SPL without distortion.
This omnidirectional mic is ideal for capturing large sound sources. Though often not seen on camera, these mics are used as Adam’s overheads for a wide and transparent room sound.
The AKG C414 is a staple in Adam’s studio. This mic is frequently used as a center overhead, close cymbal mic, and vocal mic.
This slick condenser mic provides a crisp, sharp sound for higher frequency sound sources. An ideal choice for hats, snare bottom, and overheads.
A beefy classic, loved by engineers worldwide; often a first choice for toms. With a phenomenal mid-low range response, this mic brings a thick sound to any size tom.
A well rounded snare mic, built as tough as they come. Reliable, balanced, and durable.
The go-to tom mic. The e604 provides a consistent recording on any size tom. Present, slappy, with the perfect amount of highmids for a balanced, modern tom sound.
The only kick drum mic you’ll ever need. The D6 offers a snappy but natural response, with as much low end as your speakers can handle. Adam uses the D6 in combination with the Earthworks SR20LS.
This quad-driver model from Clear Tune Monitors delivers pristine frequencies with astonishing sound isolation and build quality.
A first choice for snare and toms, the G2 coated is the Honda Civic of drumheads. Consistent, durable, and reliable.
Similar to the Clear G2, the EC2 G2 offers a slightly shorter decay, and a modern slap on toms.
The ideal choice for a controlled, balanced snare sound. Removes overtones, and offers a thick, reliable snare sound. Well suited for pop, rock, and hip-hop.
The most reliable and versatile kick head on the market. Modern and beefy, with extreme attack. Used on both the Kick Drum and the Floor Tom.
The AKG C414 is a staple in Adam’s studio. Whether used on snare, toms, hats, or overheads, the C414 provides stunning clarity and presence.
This slick condenser mic provides a crisp, sharp sound for higher frequency sound sources. An ideal choice for hats, snare bottom, and overheads.
A beefy classic, loved by engineers worldwide; often a first choice for toms. With a phenomenal mid-low range response, this mic brings a thick sound to any size tom.
The go-to tom mic. The e604 provides a consistent recording on any size tom. Present, slappy, with the perfect amount of highmids for a balanced, modern tom sound.
A well rounded snare mic, built as tough as they come. Reliable, balanced, and durable.
The only kick drum mic you’ll ever need. The D6 offers a snappy but natural response, with as much low end as your speakers can handle.
This quad-driver model from Clear Tune Monitors delivers pristine frequencies with astonishing sound isolation and build quality.
A first choice for snare and toms, the G2 coated is the Honda Civic of drumheads. Consistent, durable, and reliable.
Similar to the Clear G2, the EC2 G2 offers a slightly shorter decay, and a modern slap on toms.
Similar to the G2 Coated, this head offers a slightly drier snare sound, and helps to control overtones.
The most reliable and versatile kick head on the market. Modern and beefy, with extreme attack and clarity. Find this head on Adam’s 16″ floor tom and kick drum.
This cardioid condenser is ideal for close micing toms and snare. The gooseneck allows for easy mounting and placement.
This versatile cardioid condenser mic can be found on Adam’s hi hats, and snare bottom. Ideal for instruments with higher frequency ranges.
This low sensitivity condenser mic is used on the batter side of Adam’s kick drum. The SR20LS can handle 150db SPL without distortion.
This omnidirectional mic is ideal for capturing large sound sources. Though often not seen on camera, these mics are used as Adam’s overheads for a wide and transparent room sound.
The AKG C414 is a staple in Adam’s studio. This mic is frequently used as a center overhead, close cymbal mic, and vocal mic.
This slick condenser mic provides a crisp, sharp sound for higher frequency sound sources. An ideal choice for hats, snare bottom, and overheads.
A beefy classic, loved by engineers worldwide; often a first choice for toms. With a phenomenal mid-low range response, this mic brings a thick sound to any size tom.
A well rounded snare mic, built as tough as they come. Reliable, balanced, and durable.
The go-to tom mic. The e604 provides a consistent recording on any size tom. Present, slappy, with the perfect amount of highmids for a balanced, modern tom sound.
The only kick drum mic you’ll ever need. The D6 offers a snappy but natural response, with as much low end as your speakers can handle. Adam uses the D6 in combination with the Earthworks SR20LS.
This quad-driver model from Clear Tune Monitors delivers pristine frequencies with astonishing sound isolation and build quality.